Irische Freundschaften (German Edition)
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At the moment I mostly interested in British songs that became popular in Germany during the 19th century. There were five of them that seem to have been particularly widespread.
We can find them - as "Volkslieder" - in numerous songbooks of all kinds, with different sets of German words and also sometimes with different tunes. A look into Hofmeisters Monatsberichte via Hofmeister XIX shows that German versions of the latter - usually called "Irisches Volkslied" - with titles like "Letzte Rose" or "Des Sommers letzte Rose" were published numerous times as sheet music since the late s.
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A nice early example is an edition by Schott from c. But it also appeared in many songbooks, for example in a choral arrangement in Ludwig Stark's Stimmen der Heimat , here No. In fact in it was noted that "today even the farmhand and the peasant girl knows" this song Fleischer , p. That was a longer, somehow complex process that took some time.
In this case it needed three attempts before it became established as a standard. Moore's song was first published in in the 5th Number of his Selection of Irish Melodies pp. In Britain it was surely the "most well-known" song of this collection see Scott , Ch. But Thomas Moore became also very popular in Germany early on - unlike Burns who was only rediscovered since the mids - and therefore tune and text of "The Last Rose of Summer" found its way here very quickly. Beethoven wrote variations Six Themes Varies, op.
It was reprinted and republished several times see for example a later edition, ca. The text used here by Silcher was written by his friend Hermann Kurtz, a Swabian poet and a relative of his wife who supplied him with more translations - not only of Moore's works - for this project.
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